The movie is a black comedy. But also with reminiscences of silent cinema. It appears also as a search for universalism, for humanity, which we can see under the surface of the film. When we can see people. Human beings like us. Therefore, the film is not merely critical in the sense of a Marxist critique. Rather, it is an anthropological observation. And perhaps also a question. The question that Lyotard asked himself when he wrote that revolution begins with a joke, with a little laugh. With the film, after all, we are supposed to laugh.